The 26th edition of Sheffield Doc/Fest has closed with the Awards Ceremony where Jury and Audience awards and prizes, in Film and Alternate Realities categories, were announced.

Hosted by writer and performer Mark Thomas at the Netflix Crucible Studio, Sheffield, award winners each received a bespoke Sheffield steel trophy, The Steel Core, created for the third year running by the Sheffield artist Harrison Moore. The 2019 edition of Doc/Fest was attended by 3489 industry delegates, an increase of 1.3% from last year. Filmmakers, digital creatives and decision makers from 59 countries (up from 55 in 2018) attended the six-day festival; 54% of the film programme was directed or co-directed by women.

Says Melanie Iredale, Interim Director, Sheffield Doc/Fest: “This year has been remarkable for the quality of the extraordinary, often personal, timely stories we’ve had the privilege to witness these last six days, on the cinema screens, at our Alternate Realities exhibition and in our Talks programme. I am immensely proud that the majority of these stories were voiced by women, shifting the historical imbalance in representation, including 57% of films in competition and 50% of Alternate Realities projects in competition. Our winners tonight demonstrate internationalism and urgency; among them stories about healthcare, the Syrian conflict, climate change and human rights in China - as well as showing us the creative and technical possibilities of non-fiction filmmaking and digital art" 



WINNER: Midnight Family directed by Luke Lorentzen

SPECIAL MENTION: For Sama directed by Waad al-Kateab and Edward Watts and Midnight Traveler directed by Hassan Fazili

The Sheffield Doc/Fest Grand Jury Award honours one film that best displays excellence in style, substance and approach to documentary filmmaking. This year’s Grand Jury Award goes to Midnight Family directed by Luke Lorentzen.

The jury, Jeremy Deller (Artist), Charlotte Cook (Producer), and Jenn Nkiru (Artist-Filmmaker) said, “for the Grand Jury prize we would like to award a technically accomplished film that combines family drama with serious moral questions for the participants and viewers alike. A film that examines  the corruption of individuals within a pernicious market system, and that acts as a timely warning to the dangers of privatised healthcare. We also felt this film was a true celebration of the potential of independent filmmaking.

The Jury also gave a Special Mention to Hazzan Fazili’s Midnight Traveler and Waad al-Kateab and Edward Watts For Sama, described as two unique and unforgettable films examining the most pressing human rights crisis of our generation.

Films in competition for Sheffield Doc/Fest 2019 Grand Jury:

Diego Maradona / Asif Kapadia / UK

A Dog Called Money / Seamus Murphy / Ireland, UK

For Sama / Waad al-Kateab, Edward Watts / Syria, UK

Midnight Traveler / Hassan Fazili / Afghanistan

Mike Wallace Is Here / Avi Belkin / USA

Midnight Family / Luke Lorentzen / USA


WINNER: Earth directed by Nikolaus Geyrhalter

SPECIAL MENTION: MOTHER directed by Kristof Bilsen

For the first time this year, Sheffield Doc/Fest presents the International Award which honours the best new international non-fiction film challenging global perspectives and bringing audiences to the heart of the story. The International Award went to Earth by Nikolaus Geyrhalter.

The jury, Inadelso Cossa (Filmmaker), Samara Chadwick (Filmmaker and Scholar), and Nita Deda (Director of DokuFest) said,In a remarkable way, the sheer scale and ambition of this project is matched by its humility towards its subject and subjects. We were moved by the film’s palpable trust in its audience while simultaneously denouncing all of our hand in the scarred (mother) earth we leave behind to future people.”

A special mention went to MOTHER by Kristof Bilsen for “its tender depiction of the intersection of sacrifice and loss and its heart-breaking honesty in exploring the complexities of motherhood from different realities”.

Films in competition for the International Award:

MOTHER / Kristof Bilsen / Belgium

Earth / Nikolaus Geyrhalter / Austria

Anthropocene: The Human Epoch / Jennifer Baichwal, Nicholas de Pencier, Edward Burtynsky / Canada

The Amazing Johnathan Documentary / Ben Berman / USA

The Black Tree / Máximo Ciambella, Damián Coluccio / Argentina

BLOCK / Victoria Alvares, Quentin Delaroche / Brazil, France


WINNER: No Data Plan directed by Miko Revereza

The Sheffield Art Award, supported by MUBI, champions bold new creative forms of non-fiction cinema and artists’ film.

The Art Award jury, Deborah Stratman (Artist and Filmmaker), Leah Giblin (Producer) and Amar Ediriwira (Creative Director) said:The power of an art documentary lies in its ability to expand the faculty of our language through new codes of expression. With this in mind we were compelled to recognise a film that harnesses the energy of its limitations; to exist in a state of instability that evokes the experience of some of the most at-risk members of society.”

Films in competition for Art Award:

While We Are Here / Clarissa Campolina, Luiz Pretti / Brazil

Rushing Green With Horses / Ute Aurand / Germany

The Hottest August / Brett Story / Canada

Mother, I Am Suffocating. This Is My Last Film About You. / Lemohang Jeremiah Mosese / Lesotho, Germany, Qatar

No Data Plan / Miko Revereza / Philippines

Fordlandia Malaise / Susana de Sousa Dias / Portugal


WINNER: One Child Nation directed by Nanfu Wang and Jialing Zhang

Presented by Sheffield Doc/Fest, Dogwoof and the Tim Hetherington Trust, this award recognises a film and filmmaker, which best reflects journalist Tim Hetherington’s legacy.

The Jury, made up of Gaylene Gould (BFI Head of Cinema and Events), Feras Fayyad (Filmmaker), and Eve Gabereau (Modern Films Founder), has selected One Child Nation directed by Nanfu Wang and Jialing Zhang. The jury said,The jury appreciated the director’s compassionate balance of perspectives, the depth of the inquiry and the courage to reveal hidden truths. The aesthetic choices they make help the audience ask timely questions about women power, and reproductive rights.”

Films in competition for the Tim Hetherington Award:

One Child Nation / Nanfu Wang, Jialing Zhang / China, USA

Border South / Raul O. Paz Pastrana / Mexico, USA

Sumercé / Victoria Solano / Colombia

The Edge of Democracy / Petra Costa / Brazil

Dark Suns / Julien Elie / Canada

Your Turn / Eliza Capai / Brazil


WINNER: About Love directed by Archana Atul Phadke

Recognising that the nurturing of new talent is an integral part of Doc/Fest, this award discovers and honours the future of documentary film, celebrating new talent and fresh perspectives. The 2019 New Talent Award is awarded to About Love directed by Archana Atul Phadke.

The jury, Mathieu Ajan (Film London Talent Executive), Shola Amoo (Screenwriter and Director), and Chloe Gbai (Filmmaker/Producer), said: We were impressed by its immersive quality and its insightful depiction of a family grappling with changing cultural values.”

Films in competition for the New Talent Award:

About Love / Archana Atul Phadke / India

Talking About Adultery / Bara Jichova Tyson / Czech Republic, USA

The Fortress / Andres Torres / Colombia

What We Left Unfinished / Mariam Ghani / USA, Afghanistan, Qatar

La Vida En Común / Ezequiel Yanco / Argentina

Cool Daddio: The Second Youth of R. Stevie Moore / Imogen Putler, Monika Baran / UK, Poland


WINNER: Baracoa directed by Pablo Briones and The Moving Picture Boys

SPECIAL MENTION: Jawline directed by Liza Mandelup

The 2019 Sheffield Doc/Fest Youth Award, selected by six of the UK’s most passionate young documentary lovers and celebrating non-fiction for young audiences, goes to Baracoa, directed by Pablo Briones and The Moving Picture Boys.

The Youth Jury, Maeve Allen, Natalie Lorimer, Jenna Mahale, Mo-Jai Mckeown, Liam Taft and Timon Williams said, “The film we have selected to receive the award is a ruminative, sensitive and aesthetically stunning portrait of Cuba in transition. It depicts childhood friendship, or youthful masculinity, and the formation of the self against an urban backdrop. This film expands the form of documentary, deftly treading the line between fiction and non-fiction

Special mention went to Jawline by Liza Mandelup, described as “a film that captures a complex emerging subculture and truthfully reflecting the online world and what lies behind it.

Films in competition for the Youth Jury Award:

Baracoa / Pablo Briones, The Moving Picture Boys / Argentina, USA

Jawline / Liza Mandelup / USA

Seahorse / Jeanie Finlay / UK

Searching Eva / Pia Hellenthal / Germany

Romantic Comedy / Elizabeth Sankey / UK

Los Reyes / Bettina Perut, Iván Osnovikoff / Chile


WINNER: America directed by Garrett Bradley

Celebrating the best short films in the festival made by emerging and established filmmakers from around the world, the winner of the 2019 Sheffield Doc/Fest Short Award is America directed by Garrett Bradley.

The Short Doc Award Jury, Grace Barber-Plentie (Writer and one third of Reel Good Film Club), Chris Osborn (Filmmaker, Writer & Curator)  and Chloe Trayner, (Director of Open City Docs), said: “We want to commend this film for its use of heightened cinematic language to uncover and deconstruct a history that was not only lost but systematically erased. America looks back to look forward.”

Films competing for Short Award:

Ghosts of Sugar Land / Bassam Tariq / USA


Wild Berries / Marianna Vas, Hedda Bednarszky, Romulus Balazs / Hungary-Romania

If You Knew / Stroma Cairns / UK

America / Garrett Bradley / USA

Misericordia / Xavier Marrades / Spain




WINNER: Echo created by Georgie Pinn, Kendyl Rossi

The Sheffield Doc/Fest Best Digital Experience Award celebrates the best experiential use of digital technology to create a participatory, immersive, or interactive journey through a non-fiction story or societal commentary is awarded to Echo created by Georgie Pinn and Kendyl Rossi. The Jury Tom Higham (Creative Director York Mediale), Angelita Teo (Director National Museum of Singapore) and Kay Watson (Digital Curator Serpentine Galleries) praised Echo as “a refined and sensitive use of high-end technology to tell stories from multiple perspectives that results in a highly personal, empathetic and impactful experience in the tradition of collecting oral histories.”

The jury continued: In our deliberation we were keen to consider not only the creativity and effectiveness of the storytelling and concept, the way in which digital tech is employed and the format in which it is experienced, but also the on-going potential of the project going forward. What is also important in this field is that the technology contributes to rather than dominates the story and experience, and this was at the forefront of our decisions.”

The projects nominated for Best Digital Experience Award:

Aftermath: Euromaidan created by Alexey Furman, Ukraine

Another Dream created by Tamara Shogaolu, Egypt, Netherlands, Norway

Clit Moi created by Audrey Malo, Catherine Sabourin, Laurence Gélinas, Léa Martin, Maude Fraser, Noémie Beaulac, Stéphanie Dupuis, Vincent Paradis, Canada

Echo created by Georgie Pinn, Australia

Forest created by Kelsey Boncato, Daniel Oldham, USA

Spectre (Festival Commission) created by Bill Posters, Dr Daniel Howe, UK, HK

Through the Wardrobe created by Rob Eagle, UK

To Call a Horse a Deer created by Ip Yuk-Yiu, HK


WINNER: Le Lac created by Nyasha Kadandara

The Sheffield Doc/Fest Best Digital Narrative Award recognises the best use of narrative and story within a digital context conveying a powerful message focused on non-fiction or with non-fiction roots or research as its starting point is awarded to Le Lac created by Nyasha Kadandara

The Jury Kathy Brew (Videomaker, Curator, Writer and Educator), Annette Mees, (Head of Audience Labs, Royal Opera House) and Clare Reddington, CEO Watershed, said: “We loved the narrative device of using the lake as the main character and seeing through her eyes the changes to the environment, invoking empathy for the situation and people of Lake Chad.”

The projects nominated for Best Digital Narrative Award:

4 Feet: Blind Date created by Maria Belen Poncio, Argentina

Accused No.2: Walter Sisulu created by Gilles Porte, Nicolas Campeaux

The Atomic Tree created by Adam Loften, Emmanuel Vaughan-Lee, USA, Japan

Crackle Pop created by John Lynch, UK

The Curse of Palm Oil created by Viktorija Mickute, Quatar, Malaysia

Girl Icon created by Sadah Espii Proctor, USA

Le Lac created by Nyasha Kadandara, Chad, Kenya, South Africa



WINNER: For Sama / Waad al-Kateab, Edward Watts / Syria, UK

The award, in memory of Dr Clifford Shaw, is voted for by the Sheffield Doc/Fest audience. It recognises the film that receives the highest audience vote during the festival. The award goes to For Sama, directed by Waad al-Kateab and Edward Watts.


WINNER: Algorithmic Perfumery

Voted for by the Sheffield Doc/Fest exhibition audience, this award recognises the Alternate Realities work that has received the highest audience vote during the Festival. This year’s winner is Algorithmic Perfumery, created by Frederik Duerinck.  



The Whickers Pitch

Film & TV Funding Award

Winner: £80,000 to make their first feature-length documentary awarded to All That Remains by Amanda Mustard

Runner up: £15,000 contribution awarded to Anna Oliker for AZ House

The BBC Three Pitch (supported by the BBC)

BBC Three is passionate about telling compelling stories from across the whole nation and championing new talent. Emerging filmmakers from the North have been invited to pitch their ideas to a panel of BBC commissioners, including BBC Three Controller Fiona Campbell, for the prize of a documentary commission for BBC Three.

Prize: a documentary commission for BBC Three


Rebecca Southworth

Ashley Turner

The Joseph Rowntree Foundation X Guardian Pitch (supported by The Joseph Rowntree Foundation)

Awarded to filmmakers presenting ideas for short documentaries that explore the nature and impact of poverty in the UK, in a way that can open up minds, improve public understanding of the issue and start to shift attitudes towards some of the most marginalised people and communities.

JRF and the Guardian are looking to support two short films with funding and global release via


Edwin Mingard and Elizabeth Benjamin (Stoke Film)
Hazel Falck - United Voices of the World

The Channel 4 First Cut Pitch (supported by Channel 4)

A commission from Channel 4 for their first 60’ film and one-month fully-paid development and mentorship with an indie to support the development of their idea.


Ashley Francis-Roy