• Universe
    Universe

    In 1966 a landmark suite of orchestral jazz entitled “The Universe Compositions" was written for Miles Davis and set to be recorded by The Miles Davis Quintet. That moment would never happen. The quintet broke up and the compositions were lost for 50 years…until they were recovered by Miles’ only protégé, Wallace Roney - the one musician Miles would trust to fulfil his wish. As Wallace prepares to debut "Universe," he must find a way to uphold his mentor's legacy. The work took on an added poignancy when Wallace unexpectedly passed away in March 2020 before seeing the music's release out in the world.

    Universe is available until 28 June

  • Antonio & Piti
    Antonio & Piti

    Piti, a white Brazilian woman, is married to Antonio, a man from the Ashaninka indigenous community. It was a revolutionary decision back in the 70’s that triggered a process of social, political, and communal change. They fought for their love with the same conviction that they fought for their land and for their children. Now they are old, they recall memories, and one of their sons is running for the mayorship of the closest town.

    View this film at Showroom Cinema, Sheffield between Friday 16 - Sunday 18 October or on Sheffield Doc/Fest Selects and Doc/Player from 2 hours after its screening in Sheffield until Thursday 29 October at 11:59pm. 

    Tickets and schedule will be released on Monday 5 October

  • Üstün, Gülin
    Üstün, Gülin

    Head of Meetings on the Bridge/producer, Meetings on the Bridge

  • Breaking Barriers - The Casteless Collective
    Breaking Barriers - The Casteless Collective

    The Casteless Collective is a protest music band from Chennai, South India, playing an exciting mix of folk music and Gaana art coming from North Chennai’s slum area, combined with modern musical styles of rap and rock. Dealing with social issues that Indian society prefers not to look at: the still existing caste discrimination, the ‘untouchables’, and the oppression of women, LGBTQI+ people and those from underprivileged and marginalised backgrounds, as represented by the band members themselves. Director Maja Meiners joins them in their fight to change systematic persecution through music.

  • A Month of Single Frames
    A Month of Single Frames

    In 1998, filmmaker Barbara Hammer had a one-month artist residency in the C Scape Duneshak which is run by the Provincetown Community Compact in Cape Cod, Massachusetts. While there, she shot 16mm film with her Beaulieu camera, recorded sounds with her cassette recorder and kept a journal.
    In 2018, Barbara began her own process of dying by revisiting her personal archive. She gave all of her Duneshack images, sounds and writing to filmmaker Lynne Sachs and invited her to make a film with the material.

  • Which Way is The East: Notebooks From Vietnam
    Which Way is The East: Notebooks From Vietnam

    "A frog that sits at the bottom of a well thinks that the whole sky is only as big as the lid of a pot."

    Two American sisters travel from Ho Chi Minh City to Hanoi, followed by their own ghosts and those of local memories. On their way, they meet a country and its richness - strangers, translations, parables and stories, in a complex landscape. History is put into perspective as each conversation becomes a true encounter: uncountable possible words to translate what we see and what we hear. The Vietnam they knew from TV is only a tiny part of this world to which they now decide to pay attention.

  • The Experiment
    The Experiment

    Inspired by research into the Philadelphia Experiment, an alleged study in invisibility cloaking by the US military, The Experiment is a short audio drama in which contact with an unknown force is attempted through esoteric means. Largely considered a conspiracy theory, the mysterious and often conflicting story behind the Philadelphia Experiment tells of transporting a naval ship through space and time. Some accounts of the story describe the horror of discovering that upon reappearing, the sailors on board had become fused with the walls of the ship, others with tales of the crew briefly entering another plane of existence, never to be the same again. The Experiment takes this concept of human / object / planar fusion as its basis, using the form of audio drama to contrive a scenario where interdimensional communication might be possible.

    Commissioned by BBC New Creatives, Produced by the Institute of Contemporary Arts, funded by BBC Arts and Arts Council England.

  • The Undertaker
    The Undertaker

    An obscure figure leads her swarm of armed followers in a ceremonial march on the way to perform a mass burial ritual. Carrying weapons from different historical contexts, the choreographed group strides through numerous locations, being guided by their leader to the burial site in which they dispose of the weapons they possess. Rather than a memorial to the dead, the group creates a human monument for the living, linked up with ghosts of the past. Militarism, nationhood, belonging, and memory: the function of weapons in the perpetuation of systems of violence, repression, and displacement.

  • The Washing Society
    The Washing Society

    When you drop off a bag of dirty laundry, who’s doing the washing and folding? The Washing Society brings us into New York City laundromats and the experiences of the people who work there. With a title inspired by the 1881 organization of African-American laundresses, The Washing Society investigates the intersection of history, underpaid work, immigration, and the sheer math of doing laundry. Dirt, skin, lint, stains, money, and time are thematically interwoven into the very fabric of the film, through interviews and observational moments. With original music by sound artist Stephen Vitiello.

  • The Unknown / L'Inconnu
    The Unknown / L'Inconnu

    Simplice Ganou, maker of the beautiful Bakoroman (2011) and The Koro of Bakoro, The Survivors of Faso (2017) - both shown in our online programme - is a uniquely empathic and sensitive filmmaker. The Unknown starts almost as a child’s game: can I make friends in Winterthur? It then becomes a psychological thriller, a drama, a search for redemption - and ultimately a poignant portrait of what it is to feel like a stranger in a new place.

    View this film at Showroom Cinema, Sheffield between Friday 16 - Sunday 18 October or on Sheffield Doc/Fest Selects and Doc/Player from 2 hours after its screening in Sheffield until Thursday 29 October at 11:59pm. 

    Tickets and schedule will be released on Monday 5 October

    Simplice Herman Ganou is one of our 2020 Filmmakers in Focus. His films, though few in number, exist as a shining piece of beauty, empathy, and absolute trust in cinema as a way of connecting with the world. Living and working and Burkina Faso, having studied in Senegal, Ganou’s cinema is made with a unique sense of time and place, as in a stroll through the spaces and the words that bind people together.

  • The Viewing Booth
    The Viewing Booth

    In a laboratory-like set up, The Viewing Booth, the filmmaker chooses an American student—enthusiastic supporter of Israel—Maia, and invites her to watch and comment on the videos made by a Palestinian activist collective who are filming the daily life of inhabitants of the occupied territories and the behaviour of the Israeli army. The film explores the relationship between viewer, documentary footage, and filmmaker; the way one builds one’s own fiction and analyses sounds and images through pre-established opinions.
    Building a unique relationship between viewer and filmmaker, the film is a deep and essential reflection on how we look at images.

    The Viewing Booth Official Website

  • The Go-Go's
    The Go-Go's

    Formed by Belinda Carlisle and Jane Wiedlin, The Go-Go’s started out in the 1980s LA punk scene. Talent, ambition, and the coinciding birth of MTV and the music video catapulted The Go-Go’s ascent. They made history as the first all-female band to write their own songs, play their own instruments, and release a No. 1 album. As the pressure of fame grew, hard drugs, alcohol, and infighting start to take its toll. Through a combination of candid interviews and great footage, Alison Ellwood’s spirited tribute shines a light on the band’s success – as musicians, ground-breakers and survivors.

  • The Vasulka Effect
    The Vasulka Effect

    Artists Steina and Woody Vasulka met in Prague in the early sixties, before moving to New York where they discovered video and later founded the legendary gallery, Kitchen. In the film, the couple are now reaching retirement age, living in Santa Fe. Their entire life has been dedicated to art, as pioneers in music, waves, collage, and landscapes. As lifetime hackers and known as the “grandparents of video art”, their experiments can now be seen as having had a huge impact on a generation of digital artists. With Woody having sadly passed away in December 2019, now more than ever their work deserves to be rediscovered.

  • The Filmmaker's House
    The Filmmaker's House

    When the Filmmaker is told his next film must be about crime, sex or celebrity to get funded, he takes matters into his own hands and begins shooting in his home with a cast of characters connected to his own life.

    We first meet two English builders, employed to replace the garden fence, temporarily removing the barrier between the house and a Pakistani neighbour.
    This introduces the film’s central theme of hospitality which ultimately finds its expression when a homeless Slovakian man charms the Filmmaker’s Colombian cleaner to let him in and tests everyone's ideas of the expectations and boundaries between host and guests.

    View this film at Showroom Cinema, Sheffield between Friday 16 - Sunday 18 October. Please note this film will only be available in the cinema. 



    Tickets and schedule will be released on Monday 5 October

  • The Last Happy Day
    The Last Happy Day

    A portrait of Sandor (Alexander) Lenard, a Hungarian medical doctor and a distant cousin of Sachs. In 1938 Lenard, a writer with a Jewish background, fled the Nazis to Rome. Shortly thereafter, the U.S. Army Graves Registration Service hired him to reconstruct the bones of dead American soldiers. Eventually he found himself in Brazil where he translated “Winnie the Pooh” into Latin, an eccentric task that catapulted him to brief world-wide fame. Personal letters, abstracted war imagery, home movies, interviews, and a children’s performance create an intimate meditation on the destructive power of war.

  • Please Hold The Line
    Please Hold The Line

    This film follows cable technicians in Moldavia, Romania, Ukraine and Bulgaria as they visit their customers, entering each time in their own individual universe. It catches our eye with its skillful editing, colourful glimpses of local stories, and fierce view of a so-called connected society in a region that has been torn apart by nationalism. It also demonstrates in a humorous way our dependence on communication technologies.

  • The Tunnel / 地洞
    The Tunnel / 地洞

    “Yong-Hong, the main character in this film, usually assists film crews with location scouting and occasionally plays characters on film. While filming this documentary, Yong-Hong was also an extra in a film shot in an old military site, the tunnel. He once wrote a script about himself and his terrible family. His script is the origin of this film…

    A poet once wrote that family was "the first roof, the first torture platform, the sweetest place, the most painful thorn." This short film perhaps is a description of this complex combination, about family, about people.” - Hsu Hui-ju

    View this film at Showroom Cinema, Sheffield between Friday 13 - Sunday 15 November or on Sheffield Doc/Fest Selects and Doc/Player from 2 hours after its screening in Sheffield until Thursday 26 November at 11:59pm.


    Tickets and schedule will be released on Monday 2 November

  • Bring Down The Walls
    Bring Down The Walls

    With a prison population of more than 2 million, the USA is the world's biggest jailer. Coinciding with the escalation of mass incarceration in the 1980s, house music emerged from Black, Latinx and queer communities embattled by oppressive law enforcement policies. Bring Down The Walls explores the prison industrial complex through the lens of house music and nightlife, proposing the dance floor as a space of personal and collective liberation, and new ways in which we could come together as a society.